The Ward line traces its lineage back to Bernard Ward, who sometime before 1638, married Anne West, the daughter of Captain Richard West.
Their eldest son, Nicholas, married Sarah Buckworth, the daughter of the Bishop of Dromore. Sarah was the niece of James Ussher, whose claim to fame was his discovery of the Book of Kells, which he donated to Trinity College, Dublin, where it resides to this day. Nicholas was M.P. for Downpatrick between 1661 and 1666.
Their daughter Mary married her cousin, Tichbourne West. He was a son of Major Roger West, and grandson of the original Richard West.
Their son, Bernard, was born in 1654, and married Anne Ward. He met his end in a duel in 1690. This duel would seem to have been with a Jocelyn Magennis. An extant letter records that Bernard shot Jocelyn unfairly with his pistol, and that Jocelyn, in response and although weakened, still managed to bury his sword up to the hilt into Bernard, thus ensuring that both disputing parties made their way into the next world at the same time.
It was the son of Bernard and Anne, a namesake, Bernard Ward (1719-1781) who became the first Viscount Bangor. He married Lady Ann Bligh (died 1789). It was as a result of this confrontational marriage that the extraordinary interior of today's property dates. Unable to agree on anything, and least of all interior architecture and decoration, the couple partitioned the home down the middle, one side to be Classical and the other side Gothic. Thus did issues of identity and opinion playfully confound domestic harmony at even the highest levels of aristocratic engagement.
It was the son of Bernard and Anne, a namesake, Bernard Ward (1719-1781) who became the first Viscount Bangor. He married Lady Ann Bligh (died 1789). It was as a result of this confrontational marriage that the extraordinary interior of today's property dates. Unable to agree on anything, and least of all interior architecture and decoration, the couple partitioned the home down the middle, one side to be Classical and the other side Gothic. Thus did issues of identity and opinion playfully confound domestic harmony at even the highest levels of aristocratic engagement.
Such were the circles in which the West family moved in the early seventeenth century.
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